LTC Anthony Shaffer
'Still speaking truth to power...'
- W. Scott Malone, BlackNET Intelligence Channel
NEW From Fred Kempe:
FREDERICK KEMPE's "Belin 1961"
By Alex von Tunzelmann,
In 1961, a crisis brewed over the future of Berlin, which was marooned in the middle of Soviet-aligned East Germany and divided between Eastern and Western interests. To stem migration from east to west, the communists built the Berlin Wall: a stark manifestation of the Iron Curtain itself. U.S. president John F. Kennedy and Soviet premier Nikita Khrushchev could not find common ground. The Cold War heated up. By October 27, American and Soviet tanks were facing each other down, less than 100 yards apart.
Frederick Kempe’s compelling new narrative history of the Berlin crisis puts this political story center stage. Its most memorable moments, though, are those in which Kempe reveals the unexpected slapstick of international diplomacy. For instance, Mao Zedong scheduled a meeting with Khrushchev in a swimming pool, knowing he was a strong swimmer and Khrushchev was not. The Chinese leader performed laps around poor Comrade Nikita, who bobbed up and down unhappily in a life preserver. That says quite a lot about the personal bitterness behind the Sino-Soviet split. On the other hand, not much is revealed about the Berlin crisis by the tale of President Sukarno of Indonesia dragging Khrushchev onto a Moscow dance floor for what Kempe calls “an awkward pas de deux” — but you would have to be actively fun-averse to want it left out of the book.
Kempe draws the personal and the political stories together in a fast-paced, dramatic narrative. He favors punchy, one-sentence paragraphs, which for full impact must be read aloud in the baritone of movie trailers. When Kennedy dismisses Khrushchev’s early overtures of friendship, we learn that “it would be the first mistake of the Kennedy presidency.” When a beauty queen from East Germany, then under the leadership of hardliner Walter Ulbricht, defects to the West, Kempe writes, “She was Walter Ulbricht’s ultimate humiliation.” When the Berlin Wall goes up, he allows himself two punchy one-sentence paragraphs in a row:
“It was a cool and clear night — perfect for the purpose.
“Perhaps Mother Nature was a communist.”
Occasionally, as in that last example, the effect of this potboiler tone is comic, but at least it’s entertaining. And “Berlin 1961” as a whole is certainly that.
Kempe’s portraits of Khrushchev and Kennedy are convincing and mostly fair. He caricatures the Soviet leader slightly more so than the American, but he also does not pull his punches in assessing Kennedy’s performance. Both men come across as well intentioned, at least on their own terms; but their personal insecurities are profound. Furthermore, their wildly differing cultural backgrounds make it difficult for them to communicate.
Kempe’s blow-by-blow account of the Vienna conference of June 1961, during which the two men met for the first time, is telling — and, in a classic sense, almost tragic. Kennedy was jumped up on amphetamines administered by a quack doctor for his back pain, which probably did little for his judgment. But neither leader came away with an accurate assessment of the other. Khrushchev saw an ailing young president in front of him and assumed that Kennedy was weak. Kennedy saw a blustering, theatrical Soviet leader in front of him and assumed that Khrushchev was crazy. Both men were trying to ensure peace by making careful but deliberate references to their nuclear deterrents. Instead, owing to errors of perception and judgment, they brought the world far closer to war.
Though most of the research here is solid, Kempe’s sketchy knowledge of the issue of Cuba — which he admits was “inextricably linked” with Berlin in the minds of Kennedy and Khrushchev — is occasionally a limitation. At one point, he confuses the Bay of Pigs invasion of April 1961 with Operation Mongoose, the CIA’s long-term covert campaign against Fidel Castro, begun six months later. Elsewhere, he asserts that Castro was not in the socialist camp by June 1961; yet Castro famously and very publicly declared the Cuban revolution to be socialist on April 16, 1961, on the eve of the Bay of Pigs invasion. These may be no more than bloopers, but it is too glib to state that what happened during the Cuban Missile Crisis of 1962 (in a punchy one-sentence paragraph) was that “Kennedy’s Berlin Crisis had moved to Cuba.” Undoubtedly, the presence of missiles in Cuba had strategic relevance to Berlin. Yet Cuba had been a growing issue in and of itself since at least 1959, and for both Kennedy and Khrushchev it pulled in all sorts of regional, ideological and even personal considerations that had nothing to do with Berlin.
Nonetheless, “Berlin 1961” has more virtues than flaws. It is engaging, it is a great story, and it is generally fair-minded. This is both an enriching history and a rollicking good read.
Alex von Tunzelmann is the author of “Red Heat: Conspiracy, Murder, and the Cold War in the Caribbean.”
CONTINUE READING Full Report HERE:
[Information contained in BKNT E-mail is considered Attorney-Client and Attorney Work Product privileged, copyrighted and confidential. Views that may be expressed are those of the author(s) and do not necessarily reflect those of any government, agency, or news organization.]
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Books Which Mention W. Scott Malone; Scary GOOGLE 'Web-History' Discovered
US/1; ATTN: US/201; RID/4; ADD; ALL
[ed.note: US/1’s blacknet.intell (at) gmail.com was shutdown around 0300 ET this morning, 20 July 2011, and its related http://blackboxintelcenter.blogspot.com/ knocked of the web for “suspicious activity.” Go figure.
After being forced to change his gmail password, and nosing further around, US/1 literally ‘stumbled’ upon the below list stored on his Google Gmail Account file. Interesting, in hindsight, but now cleared and hopefully blocked in the future.
(EB: Tritram Dodge was W. Scott Malone’s Great-to-the7thGrandfather on his Mother’s side, originally from the UK, who was first spotted off Novascotia in 1641 (12 years behind the usurper ‘Mayflower Pilgrims’), and settled--after massacreing all the locals--Block Island, Rhode Island, in 1661. His remains apparently remain in the ‘historic’ Dodge Cemetery therein upon. Two of Tristram’s sons later further ‘settled’ Cows Neck, Long Island, now called “Oyster Bay,” wherein upon the “Dodge House” still stands, as a museum. Go figure.)
A word to the wise for all Members with Gmail accounts…or any other historical grudges…]
Web History - 20 July 2011 : 0659 ET - ALL HISTORY ‘CLEARED’
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[Information contained in BKNT E-mail is considered Attorney-Client and Attorney Work Product privileged, copyrighted and confidential. Views that may be expressed are those of the author(s) and do not necessarily reflect those of any government, agency, or news organization.]
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W. Scott Malone has been cited in at least forty books over the years, including at least two novels. Which may only go to prove that even some light late night reading can still end as scary bedtime stories.
Unlike the Hollywood version, in Nick Pileggi's original book, CASINO: Love and
Honor in Las Vegas, the best-selling Mob author named names of the very real bad boys of the late seventies Chicago Mafia who were wheeling and dealing in Las Vegas. It is was ever more gripping than the movie as a result, because the actual players were endlessly more reality TV lurid the than their Hollywood counterparts.
As a college student who somehow finagled a combined $500 grant from the Center for National Security Studies and the Fund for Investigative Journalism, Malone had first tangled with the very same crew in 1976, when the events recounted were unfolding in real-time, and again in 1982, as both the book's and the movie's narrative reached its baseball-bat-grave in a cornfield crescendo, for FRONTLINE's premier broadcast on the NFL and organized crime.
That program, 'An Unauthorized History of the NFL,' which remains one of PBS' highest rated current affairs documentaries ever, was anchored by media-renowned 'golden girl,' the late and bewitching Jessica Savitch, who had to be placed under police protection in the weeks just before and after that broadcast.
Malone gladly handed the baton and the key to the files to Nick after his real-life book Wiseguy had become the Martin Scorsese smash hit film Goodfellas. He didn't forget that enterprising young upstart, however:
----------------------------'For Scott Malone
Who was there EARLY --
Best - Nick Pileggi'
More major league authors continued down the path first tread by Malone in the Mafia corridors of Vegas, Miami, Havana, Hollywood and Washington.The followers-up included the ever enchanting Kitty Kelley, Mob expert and bon vivant Dan E. Moldea, investigator extraordinaire Sally Denton and her once historian-husband, Roger Morris, along with the seemingly indefatigable Gus Russo, who turned out to be a word musician and lyrical historian.
The "unauthorized history" of best-selling biography goddess maven Ms. Kitty was best told in a Washington Post Style section profile:
Kitty Kelley: Doing It Her Way
"In May of 1986, Dan Moldea says: “Kitty called me in desperation, saying that she was in trouble with the lawyers, who were checking her [Sinatra] book. Specifically, she said that the attorneys were questioning her details about the CIA/Mafia plots to murder Fidel Castro.
"Moldea had earlier referred her to Scott Malone, a PBS producer with a research specialty in organized crime, who lent his files and sources on the CIA/Mafia plots. Kelley’s close friend, photographer Stanley Tretick (to whom “His Way” is dedicated), was often Kelley’s courier and general factotum on the project. “Stanley called to thank me,” says Moldea. He says Tretick told him that Malone’s information had “saved the Sinatra book.” - Washington Post, 31 October 1988
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And, speaking of Scott Malone's dear friend Dan Moldea....
'This work could not have been completed without the assistance of my associate, Washington journalist William Scott Malone, who encouraged me to write this book. Malone was the chief investigator and associate producer of the January 1983 Frontline program on public television, "An Unauthorized History of the NFL." His research, interviews, and advice has been invaluable to me.' p.7
'To Scott--
My brother and main man.
Thanks for allowing me to take all the shit I'm going to take for writing this.
--Love, Dan E. 7/17/89'
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And, speaking of the NFL, one should also speak of television news legend, Jessica Savitch, which Malone only did once, although it was apparently considered rather 'out-of-school' in some quarters of certain high-level FRONTLINE management circles (all three of them).
He's still not exactly sure, but he deduced from silence that not all girls are golden.
Malone still prays that Silent Bob is slightly more nuanced in his Hollywood verbal briefs than 'Golden' author Alanna Nash, for the Robert Redford/Michelle Pfeiffer movie that followed.
GOLDEN GIRL: The Story of Jessica Savitch (1988)
Jessica did imply, with the act of handing FRONTLINE investigator Scott Malone, an Arlington, VA. emergency phone number, 'that she had spent Thanksgiving of 1982 with [Warren Beatty and his parents], even though she had told "Today" show producer Steve Friedman she was going to Atlantic City...
'"I liked her very much," Beatty would later say. But "we did not spend a Thanksgiving together..."
'On December 22, 1982, Jessica sat in the studio at WGBH, Boston, and recorded promos for FRONTLINE. She stared into the camera with a look that one staff member [Malone] would correctly liken to a laser. "When you turned that camera on her, it was just f**king scary," he says. "She had a nut streak in her, definitely, but she also had some kind of an energy force behind her eyes...It was like she put on her little custom suit, shot a beam across the room, and zapped you..."
'FRONTLINE debuted on January 16 [sic: 17], 1983. Its premiere show, "An Unauthorized History of the NFL," would set the tone of the series and leave a lasting impression as to the quality and integrity of its journalism...
'The FRONTLINE staff had worked on the show for eight months. Jessica coming in to do an on-camera interview with NFL Commissioner Pete Rozelle, attempting to nail him on a double standard to players and club owners regarding the league's no-gambling-associations policy. The majority of the investigative reporting was being done by Scott Malone...
The week leading up to the premier broadcast of FRONTLINE as a program were intense."That weekend was incredibly scary," says Malone, also an associate producer on the film. "After that press screening, the s**t hit the fan. We'd felt what the reaction in the NFL was going to be, and their minions in the sports press all over the country. There was a campaign, orchestrated primarily by the NFL, to bombard us with attacks. On top of it all, I was out all weekend, still investigating the thing, sitting a dingy little motel, having to get the operator to make the calls for so nobody would know where I was [lest sports reporters could quickly infer which NFL teams and players were still under investigation]. Here I was, tying to get the key football player to confess, so we could run the hard version naming names, and then I was hanging out with gangsters. But I was more scared [at the FRONTLINE offices] in Boston than anyplace I've ever been on any story."
When Malone got back to WGBH, he was told that the staff had gotten death threats--"or maybe just Jessica received them. When I cam in, the 'FRONTLINE' office was under police protection, guards everywhere."
'"I liked her very much," Beatty would later say. But "we did not spend a Thanksgiving together..."
'On December 22, 1982, Jessica sat in the studio at WGBH, Boston, and recorded promos for FRONTLINE. She stared into the camera with a look that one staff member [Malone] would correctly liken to a laser. "When you turned that camera on her, it was just f**king scary," he says. "She had a nut streak in her, definitely, but she also had some kind of an energy force behind her eyes...It was like she put on her little custom suit, shot a beam across the room, and zapped you..."
'FRONTLINE debuted on January 16 [sic: 17], 1983. Its premiere show, "An Unauthorized History of the NFL," would set the tone of the series and leave a lasting impression as to the quality and integrity of its journalism...
'The FRONTLINE staff had worked on the show for eight months. Jessica coming in to do an on-camera interview with NFL Commissioner Pete Rozelle, attempting to nail him on a double standard to players and club owners regarding the league's no-gambling-associations policy. The majority of the investigative reporting was being done by Scott Malone...
The week leading up to the premier broadcast of FRONTLINE as a program were intense."That weekend was incredibly scary," says Malone, also an associate producer on the film. "After that press screening, the s**t hit the fan. We'd felt what the reaction in the NFL was going to be, and their minions in the sports press all over the country. There was a campaign, orchestrated primarily by the NFL, to bombard us with attacks. On top of it all, I was out all weekend, still investigating the thing, sitting a dingy little motel, having to get the operator to make the calls for so nobody would know where I was [lest sports reporters could quickly infer which NFL teams and players were still under investigation]. Here I was, tying to get the key football player to confess, so we could run the hard version naming names, and then I was hanging out with gangsters. But I was more scared [at the FRONTLINE offices] in Boston than anyplace I've ever been on any story."
When Malone got back to WGBH, he was told that the staff had gotten death threats--"or maybe just Jessica received them. When I cam in, the 'FRONTLINE' office was under police protection, guards everywhere."
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But Malone's Vegas dreams seem to remain the reoccurring variety...and will no doubt never seem to end...
The MONEY and the POWER: The Making of Las Vegas and Its Hold on America (2001)
'There would be convincing evidence, according to congressional investigators in the late seventies [that] in October 1963, Ruby had met [Johnny] Rosselli twice in Miami, where Rosselli had the clear impression, as he would tell investigative reporter Scott Malone, that "Ruby was hooked up with [Santo] Trafficante in the rackets in Havana"...' * p.252
'For Farah and Scott--
You know these pages through and through!
Thanks for all your help.
/s/ Sally Denton...Roger Morris'
* John Rosselli was already dead by July 31, 1976--legs sawed-off below the knee, his body found floating in an oil drum on Miami's Dumbfoundling Bay. Malone's original source was not Rosselli, but his close friend, retired DC Police Inspector Joseph Shimon, now deceased. A Justice Dept. Strike Force prosecutor in Las Vegas Malone interviewed on tape in 1976, was the source on the Ruby meeting in Miami, and a FBI Special Agent was the source on Rosselli's visits to Miami during the Fall of 1963. The meetings salience to Ruby murdering Oswald, or even if the occurred, are both still in dispute. Another unresolved question that neither the House Select Committee nor the Kennedy Records Release Commission could, or would, answer.
** At the book party after the signing, Sy Hersh, once again, stayed busy attempting to "source" my then-government-agency-employed wife, pictured above.
** At the book party after the signing, Sy Hersh, once again, stayed busy attempting to "source" my then-government-agency-employed wife, pictured above.
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By Tim Shawcross and Martin Young
"In Washington, the Scott Malone Organized Crime Research Library provided invaluable assistance and reference."p.14
'Dear Scott - A Man of Honor and "Amiti Nostra"!--------------------------------------------------------------------------
Keep Well. Best Wishes - Tim Shawcross June 1995'
YET still more COMING SOON....